LaVey's Church 0f Satan Pentagram

Alif Balaam Yashin

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The pentagram used by the Church of Satan, often called the “Sigil of Baphomet,” wasn’t invented from scratch by Anton LaVey. He actually adapted and formalized an older occult symbol that already existed in 19th- and early 20th-century esoteric literature. The core design, an inverted pentagram containing a goat’s head, can be traced back to French occultist Stanislas de Guaita in his 1897 work La Clef de la Magie Noire. In that book, the goat’s head pentagram appeared as an illustration symbolizing infernal or material forces, in contrast to the upright pentagram used for spiritual symbolism.

When the Church of Satan was founded in 1966, LaVey needed a striking emblem that embodied individualism, carnal existence over spiritual asceticism, and rejection of conventional religious morality. He chose it because the inverted pentagram already symbolized matter over spirit. The goat imagery aligned with the archetype of the adversary and carnal nature. It was visually bold, easily recognizable, and philosophically fitting. LaVey’s main contribution was to standardize, not to invent. He enclosed the goat head neatly within the inverted pentagram and added the Hebrew letters spelling “Leviathan” around the circle. Fixed the proportions and symmetry into the now-recognized seal.

So the famous Church of Satan pentagram is best understood as a curated occult collage from an older European magical symbol, refined and branded by LaVey to visually express his philosophy of Satan (aka LaVeyan Satanism/LaVeyanism).

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One could comment on the fact that it appears that LaVey chose to ignore a fundamental metaphysical principle of the balanced approach proposed by Stanislas De Guaita, author of La Clef de la Magie Noire, founder of the French Ordre Kabbalistique de la Rose-Croix (Kabbalistic Order of the Rose-Cross).

Rosicrucianism, drawn from Christian and Jewish (Qabbālā) mystical speculation, proposed a Middle Way of Right and Left in balance, as his deployment of two pentagrams evidence.

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(I've only dipped into La Clef via machine translation of the Foreword.)
 
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