[FONT="]Infernal Mantra[/FONT]
[FONT="] By Etu Malku III°[/FONT]
I create My Self that I might define my Self.
I my Self is distinct from the Order of the Cosmos, yet is ordered in and of my Self
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[FONT="]In order to know what is
NOT the natural order of music we need to know first what
the natural order IS.[/FONT]
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[FONT="]We have basically two sounds; they are either Harmonious or Chaotic. Examples of Harmonious sounds include the human voice, vibrating strings, lawn mowers, jet engines, jack hammers, cars and fans. Examples of Chaotic sounds include crumpling paper, blowing leaves, sneezes, the background conversational din in a restaurant and firecrackers.[/FONT]
[FONT="]Each and every sound we hear, whether musical or noise this sound is surrounded by a series of harmonic overtones which vibrate and gives the sound its texture or timber in addition to its fundamental note or tone.[/FONT]
[FONT="]The cleaner and purer the sound/tone the fewer harmonic overtones are being produced. Think of the clean tone of a bell when first struck, the fundamental tone can be heard loudest and as the bell swells from resonating frequencies you hear deeper as well as higher ringing sounds, these are our harmonic overtones. When you hit a rock with a stick it produces hardly any resonating harmonic overtones.[/FONT]
[FONT="] [/FONT] [FONT="]Lord Rayleigh from his Theory of Sound of 1896: "the highly composite, and often discordant, character of the sounds of bells tend to explain the discrepancies sometimes manifested in estimations of pitch".[/FONT]
[FONT="]Italian music theorist and composer of the 16th Century, Gioseffo Zarlino called musical intervals "inventions . . . of nature herself".[/FONT]
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[FONT="]The Fibonacci sequence is a mathematical ratio which generates the classic spiral found in Nature / Ordered Universe. It is evident in many things such as, nautilus shells, the growth pattern of thorns on a rose, DaVinci's paintings and drawings, the pyramids and even sound. The distances between harmonic overtones of any sound, progress and change within the same ratio as that of the Fibonacci sequence. The Harmonic Overtone Series unfolds exactly like the Fibonacci sequence also known as the Golden Mean, and Phi (1 2 3 5 8 13 21 etc.). [/FONT]
[FONT="]This can be experienced on any string instrument, where if your finger is lightly placed at any one of the ratios a high harmonic tone can be plucked. These harmonics do not occur just anywhere but are in relation to these exact ratios that subdivide the string. This may be seen as the Natural Ordering of Sound being manifest into the Objective Universe for us to hear.[/FONT]
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[FONT="]Johannes Avianius offered this viewpoint: "The harmonic, simple, and direct triad is the true and unitrisonic root of all the most perfect and most complete harmonies that exist in the world. It is the root of even thousands and millions of sounds, because each of them should ultimately be reduces to the parts of the triad, either by unison or by octave."[‘The Isagoge 1581].[/FONT]
[FONT="]Christiaan Huygens in his ‘The Celestial Worlds Discover'd' 1698 states "the Laws of Musick are unchangeably fix'd by Nature, and thus must not only apply for western cultures, the earth, and our solar system, but the rest of the universe too"[/FONT]
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So, is there an opposite of this ordered sound? And if so, what could it be? Why would it be?
There is and it is called [FONT="]The Harmonic Undertone Series[/FONT]
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Our ear is said to be ‘naturally wired' to hear the Overtone Series, anything else is heard as ‘unnatural'. This brings me to what theorists call The Undertone Series. The Undertone Series is a series of notes that result from inverting the intervals of the overtone series. [/FONT]The undertone series is a series of notes that results from
inverting the intervals of the overtone series. The undertone series does not sound simultaneously with its fundamental tone, as the overtone series does. It is, rather,
opposite in every way.[FONT="] There is no undertone series in the physical world.[/FONT]
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In Graham H. Jackson’s 2006 book ‘The Spiritual Basis of Musical Harmony' he states that the over/under tone series' represent on the one hand the outer, material world, and on the other hand, our subjective, inner world. The overtone series can be explained by materialistic science but the undertone series is only achieved by our subjective experience. [/FONT]
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[FONT="]This brings me to The Infernal Mantra, as sound unfolds it spirals outward as well as inward on itself physically as well as in a very Hermetic way. [/FONT]
Staota [Avestan/Pahlavi] – A Vibration which could cause death or some change that which would encircle the one sounding the Staota in self-focused energy.
The Avesta is a religious holy text from the Persian Empire dating thousands of years ago, it is based on prayers and hymns when sung or chanted in a mantra disciplined form create “Staota” or vibrations in sound. Staota or vibrations of sound may be used to open the mind to subjective.
The practice of using Staota “inverse” or backwards from the Avesta (or any religious doctrine) can be used to help produce Luciferian gnosis. Such sound manipulation can be proven in Binaural Beats frequencies, created by two frequencies operating in different ears to create a brainwave corresponding to an emotion. The brainwave frequency is the actual difference of the two different frequencies in each ear. The use of sound in ritual is empowering, it activates the imagination and allows belief to fully overtake and thus command.
The Sanskrit word
mantra consists of the root
man- "to think" and the suffix
-tra, designating tools or instruments (instrument of thought). A sound, syllable, word, or group of words that are considered capable of "creating transformation" Mantras can be thought of as essentially "thought forms" which exert their influence by means of sound-vibrations.
Mantra and Staota are excellent forms of the Will projected into a form of action. These sounds are manifestations of ultimate reality, in the sense of sound symbolism postulating that the vocal sounds of the mantra have inherent meaning independent of the understanding of the person uttering them.
[FONT="]Mantra's can be done in the following ways[/FONT]
- [FONT="]Mantra Yoga (chanting)[/FONT]
- [FONT="]Japa Yoga: [/FONT]
- [FONT="]Vaikhari Japa (speaking)[/FONT]
- [FONT="]Upamsu Japa (whispering or humming)[/FONT]
- [FONT="]Manasika Japa (mental repetition)[/FONT]
The vibrations and sounds of the mantra are used to awaken the Kundalini or spiritual life force and even stimulate chakras according to many Hindu schools of thought. Again this is scientifically expressed in terms of brain entrainment.
In conclusion we find that the inversion of sound to be scientifically relevant as well as metaphysically useful to those of us on the LHP. With that said go ahead and find religious, or any phrases for that matter, which you find to be revolting or blasphemous if manipulated, construct your own word sigils by simply turning the word around and creating mantras and/or sections for your rituals. You will find the sounds intoxicating in a very adversarial way.
*excerpt from my book Tarkhem: Music and the Black Arts